"Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. I don’t want any laws or freedoms to protect me from a man like Mr. ‘Do you not understand that I can trust no one—no one?’ ‘That is a pity,’ Gerald said, rising to face her. He looked half at her and half at the sky. He conveyed not only his sense of the extreme want of correctitude in their unsanctioned meetings, but also that, so far as he was concerned, this irregularity mattered not at all, that he had flung—and kept on flinging—such considerations to the wind.
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