Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. Her voice seemed to come from a long way off. For a big-bellied glass is the palette I use, And the choicest of wine is my colour; And I find that my nose takes the mellowest hues The fuller I fill it—the fuller! IV.
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