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“She has lost something,” he declared, “something which brought the men in crowds around the stage at the ‘Ambassador’s. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. But perhaps he was right not to tell you the truth. But there was no feeling of remorse; there was only the sensation of exaltation.

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