" "Poor Jack!" sighed Thames. “But I—I went to Nigel Ennison for help. He flew to the window, and would have passed his sword through the thief-taker's body, if the latter had not quickly interposed the person of Mrs. Stop it. The city presented a terrible picture of devastation. Notwithstanding the remonstrances of Wood and Winifred, Thames instantly followed the domestic, and found a man, with his face muffled up, at the door, as she had described. “I go to private school right now. To a woman she might have confided; but to this man, kindly as he was, it was unthinkable. Giles's. It was below consciousness, elusive; so he sent out a call to his friend, defensively. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. There would be no way of keeping her police questioning a secret from the entire neighborhood. ‘Home?’ ‘To your family. She felt draggled and insulted beyond redemption.
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