In the twilight he had ceased to be a person one could tackle and shame; he had become something more general, a something that crawled and sneaked toward her and would not let her alone. Why would Shari tell Michelle or anyone outside the family a name? Why would Michelle ask? In 1965, Sheila McCloskey loved to watch two subjects in particular with binoculars: birds and neighbors. He beamed a little as she disappeared into the orchestra room, a cacophony of tuning instruments. He righted a chair and sat in it, his face in his hands. ‘Knowed it the instant I set eyes on her. Full as she was of him, it felt good to shower her kill out of her hair. ‘Go on, Gerald.
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