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Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. And even she was forced to admit to herself that this last resource of hers was a slender reed on which to lean. “Lift up one corner of the curtain for me. Probably she was married years ago and is now merely on the way to her husband's house. She returned home through a world that was as roseate as it had been gray overnight. She is curiously altered in many ways. ‘None of them means anything to you at all? How odd. “I suppose, Vee, you don’t see much of those Widgetts now?” “I go in and talk to Constance sometimes. "Don't exchange glances with him under my very nose, woman!" shrieked Mrs. . Did you warn Frith?’ ‘Yes. Kneebone's. It proved to be a human head, though with scarcely a vestige of the features remaining.
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