The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. "There, Sir," she added, unlocking the door, "you can go in. Sheppard, fervently. ’ He sighed. . As she crossed the square, almost within a stone’s throw of her lodgings, she came face to face with Courtlaw. “Thank you—and good-bye. There's nothing so sad in this world as an old fool," she added. Ramage,” she said, sharply, “I have to make it plain to you. There was a strained, eager expression on his face.
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