The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. I’m leaving you, and you can’t stop me. His attention drawn, the captain was easily able to make out the pretty features under the feathered hat, and the same dark riding habit the fugitive had worn on that first occasion at Remenham House. An admirable alternative presented itself and she sighed, spreading her hands. . . 266 She peered up at him. Not much. "It's runnin' a great risk. How could you draw the curtain aside which hides the great and holy places of life—you, who have never loved?” “You have become French to the core,” she murmured. You keep on coming truer, after you have seemed to come altogether true. A siphon and a whisky bottle stood before him. Dare we look back upon the darkened vista, and, in imagination retrace the path we have trod? With how many vain hopes is it shaded! with how many good resolutions, never fulfilled, is it paved! Where are the dreams of ambition in which, twelve years ago, we indulged? Where are the aspirations that fired us—the passions that consumed us then? Has our success in life been commensurate with our own desires—with the anticipations formed of us by others? Or, are we not blighted in heart, as in ambition? Has not the loved one been estranged by doubt, or snatched from us by the cold hand of death? Is not the goal, towards which we pressed, further off than ever—the prospect before us cheerless as the blank behind?—Enough of this.
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